
BIOGRAPHY
Ayumi OKITA
Born in 1994 in Okayama, Japan. Lives and works in Ishikawa.
Ayumi Okita creates paintings using lacquer as a medium. Viewing lacquerbeing the sap of plants—as a substance that undergoes changes beyond the creator's expectations, Okita perceives it as a mediator between humans and nature, reflecting on the relationships between human and non-human entities. Okita refers to the reciprocal interaction between the creator’s actions and the responses of lacquer as a “collaborative creation,” expanding their focus to the interplay between human activity and the inseparable natural environment.
In 2018, Okita graduated from the Department of Oil Painting at Kanazawa College of Art. In 2020, they completed the Master's program in the Department of Crafts at the same institution. In 2024, Okita completed the doctoral program in the Art Research Department at Kanazawa College of Art. They were also dispatched as an exchange student to the Academy of Art & Design, Tsinghua University (Beijing, China) in 2016 and 2024.
Selected exhibitions include "Blessings Travel Through Wounds" (Kuma Foundation Gallery, Tokyo, 2024), "For the Breathing Things in the Darkness of Caves" (BUoY, Kitasenju, Tokyo, 2024), and "Condensing Forests" (galleria PONTE, Ishikawa, 2022), among others.
EDUCATIONAL BACKGROUND
2018
B.F.A, Oil painting, Kanazawa college of Art, Kanazawa/ Japan
2024
M.F.A, Urushi/woodwork, Craft, Kanazawa college of Art, Kanazawa/ Japan
2016,
2024
Exchange Studying Abroad, Academy of Arts & Design, Tsinghua University, Beijing/ China
2023-
Teaching Assistant, Department of Oil Painting, Kanazawa College of Art.
SELECTED EXHIBITIONS
Solo Exhibitions
2025
"A Quiet Garden and Secrets" Kanazawa Youyo (IShikawa/ Japan)
2024
"Bearing Calendars, Consuming Seeds" Shirasagi art (IShikawa/ Japan)
"Blessings Flow Through the Wounds" KUMA foundation gallery (Tokyo/ Japan)
"For Those Who Dwell in the Darkness of the Cave" BUoY Arts Center Tokyo (Tokyo/ Japan)
2022
“Pass through the palm of my hand” Kanazawa Yasue Gold Leaf Museum (Kanazawa/ Japan)
“Forest with condensation” galleria PONTE (Kanazawa/ Japan)
2021
4weeksselection “Come on, fly around in here” KANAZAWA CRAFTS HIROSAKA (Kanazawa/ Japan)
2019
“Lacquer panting, Continue to breathe” HISHIO – Centre for Cultural Exchange (Okayama/ Japan)
Group Exhibitions
2024
"Long Night Art Festival: Prologue" Old Town, Nagahama City, Shiga Prefecture (Shiga/ Japan)
"Figurative ⇔ Abstract — The moment or impetus in painting where the figurative transforms into the abstract, or vice versa"
Curator: Hiroki Yamamoto, ASTER Curator Museum (Ishikawa/ Japan)
"Fermentation Culture Art Festival Kanazawa – A Journey to Sensing the Invisible" Kanazawa and Tsurugi City (Ishikawa/ Japan)
"Inheritance and Transcendence: Lianfu Contemporary Lacquer Painting (International) Invitational Exhibition" Xiamen Lianfu Art Museum (Xiamen/ China)
“A GRADUATE EXHIBITION SELECTED BY ARTGUMMI” KANAZAWA ARTGUMMI (Kanazawa/ Japan)
“KANAZAWA COLLEGE OF ART GRADUAION WORKS 2024" 21st Century Museum of Contemporary Art, Kanazawa (Kanazawa/ Japan)
“The 16th Exhibition of Selected Works of the I Prize for the Development of New Artists in Okayama Prefecture” TENJINYAMA CULTURAL PLAZA OF OKAYAMA PREFECTURE (Okayama/ Japan)
2022
“ploonet” Shiinoki Cultural Complex (Ishikawa/ Japan)
“Uchinada Struggle: Memories of Wind and Sand” Uchinada Town Museum of History and Folklore: Wind and Sand Museum/ Ruins of Uchinada U.S. Military Test Firing Range/ Ruins of Landing Site Observation Station (Ishikawa/ Japan)
“The 30th Scholarship Art Exhibition” The Sato Museum of Art (Tokyo/ Japan)
2020
“The New Power of Lacquer” Matsuzakaya Nagoya ( Aichi / Japan)
“URUSHI HEYA” Gallery muku (Ishikawa/ Japan)
“The 13th Exhibition of Selected Works of the I Prize for the Development of New Artists in Okayama Prefecture” OKAYAMA CITY MUSEUM (Okayama/ Japan)
2019
“KUMA EXHIBITION 2019” Spiral Garden (Tokyo/Japan)
2018
“AIZU URUSHI ARTFESTIVAL Lacquer:Possibilities and Futures” Gallery Abdu (Fukushima/ Japan)
“Selection of graduation/completion works 2018” Research Institute of Art & Design Gallery, Kanazawa college of Art (Ishikawa/ Japan)
“KANAZAWA COLLEGE OF ART GRADUAION WORKS 2018 21st Century Museum of Contemporary Art, Kanazawa (Ishikawa/ Japan)
Art Fari
2024
"KOGEI Art Fair Kanazawa 2024" Guest Exhibition by Tomio Koyama Gallery, Hyatt Centric Kanazawa (Ishikawa/ Japan)
"Art Fair Beppu 2024" Beppu International Tourist Port, Former Ferry Sunflower Terminal (Oita/ Japan)
GRANTS & AWARDS
2020
Sato International Cultural Scholarship Foundation Adopted as a scholarship recipient for the 30th term
2018
“2017 president of a university's Award for Graduation and Completion Work”
“2017 21st Century Museum of Art Award for Graduation and Completion Work” Jury: Atsuhiko Shimada
Kuma Foundation Second grader Student Creator Scholarship
2017
Kanazawa College of Art “The 15th Shibata Award” , “The 38th Takifuji International Art Award” Excellence Prize
COLLECTION
Kanazawa college of Art, Kanazawa/Japan
TALKS, WRITINGS, AND MEDIA
Talks & Interviews
Artist talk | 2024. 12. 7
Exhibition "Figurative ⇔ Abstract" Artist Talk (YouTube Archive Available)
Venue: ASTER Curator Museum
Artist talk | 2024. 11. 30
KOGEI Art Fair Kanazawa 2024 ARTIST TALKS
Featuring Akari Yamashita & Ayumi Okita from Tomio Koyama Gallery
Venue: Hyatt Centric Kanazawa, 2F
Interview | 2024. 02. 14
Kuma Foundation "Activity Support Interview vol.53"
"Painting with Lacquer – Between Craft and Painting"
Interviewer: Hiroki Yamamoto
Event Talk | 2023. 10. 20
Kanazawa College of Art Theater "Chironnup Kamuy Iomante" Screening & Talk
Featuring Ayumi Okita, Minoru Kitamura (Filmmaker), Hiroki Yamamoto (Cultural Researcher & Art Critic)
Criticism & Reviews
Review | 2021. 03
"Intersecting Spirals – Themes and Techniques of Ayumi Okita & Hinako Nakata" by Noriaki Kitazawa
Kanazawa College of Art Doctoral Program First-Year Research Exhibition "Ploonet" Catalogue, Published on March 25, 2021, pp. 70-71.
Essays & Poetry
Essay | 2024.09.20
"Studying at an Art University’s Graduate School" by Ayumi Okita
"KANABI Cutting Edge, Vol. 15"
Thesis | 2022.03
"Uchinada Paintings" by Ayumi Okita
Published in "EXHIBITION: Uchinada Struggles – Memories of Wind and Sand" Symposium
"Reconsidering the Postwar Era from the Perspective of ‘Ura-Nihon’"
pp. 10-11, Kanazawa College of Art, March 2022.
Poem | 2021.03
"For Example, As a Bird Continues to Sing" by Ayumi Okita
Published in "Ploonet" – Kanazawa College of Art Doctoral Exhibition 2021, p. 44.
Thesis | 2021.03
"A Study on the History and Practice of East Asian Lacquer Painting – Toward the Formation of Art Concepts Crossing Craft and Painting" by Ayumi Okita
Published in "Ploonet" – Kanazawa College of Art Doctoral Exhibition 2021, pp. 78-80.
Media Coverage
Newspaper | 2024. 12. 27
"The Life of Birds Expressed Through Lacquer Painting"
Hokuriku Chunichi Newspaper Digital, Hokuriku Chunichi Newspaper (Morning Edition), p. 12.
Web Articles | 2024. 10.10
"Fermentation Culture Art Festival Kanazawa – A Journey to Feel the Invisible"
Report in "Bijutsu Techo Online"
Web Articles | 2024. 10. 10
"Fermentation as an Invisible Culinary Art – Walking Through Kanazawa’s Fermentation Culture Art Festival"
Report in "Casa BRUTUS"
Newspaper | 2022. 11. 19
"The Poetic World of Lacquer Painting – Solo Exhibition 'What Brushes Past My Palm'"
Hokuriku Chunichi Newspaper Digital, Hokuriku Chunichi Newspaper (Morning Edition)
Academic Publications
Paper | 2024.03
"The Visual and Tactile Aspects of Painting – Lacquer Painting Between Painting and Craft" by Ayumi Okita
"Annual Bulletin of Art & Craft Studies, Vol. 25," Kanazawa College of Art, pp. 1-13.
Paper | 2024.03
"The History and Theory of Lacquer Painting – Where Craft and Painting Intersect"
Ayumi Okita, Doctoral Dissertation, Kanazawa College of Art
Symposiums & Conferences
Symposium | 2025. 02
47th Annual Conference of the Japan Society for Visual Anthropology – Kanazawa
Symposium: "Revitalizing Regional Culture from Noto and Hokuriku"
"Unraveling the Culture of Lacquer and Urushi – Trees, Industry, and Folklore" by Ayumi Okita & Hiroshi Kaneyasu
Presentation | 2021. 06
"The Birth of East Asian Lacquer Painting and Creolization – Tracing the Modernization and Fusion of Lacquer Culture in Vietnam, China, and Japan"
Ayumi Okita, Cultural Typhoon 2021 in Kanazawa (Online Event)
Presentation | 2020. 12
"Creolization in East Asian Art and Tactile Expressions in Lacquer Painting"
Ayumi Okita, Research Seminar: "Materialism in Memory and Records – Examining ‘Ura-Nihon’," Ishikawa Four High School Memorial Cultural Exchange Center